One of the most controversial of Charlotte Mason’s principles is how she viewed the teaching of composition.

‘Composition’ comes by Nature.––In fact, lessons on ‘composition’ should follow the model of that famous essay on “Snakes in Ireland”––”There are none.” For children under nine, the question of composition resolves itself into that of narration, varied by some such simple exercise as to write a part and narrate a part, or write the whole account of a walk they have taken, a lesson they have studied, or of some simple matter that they know. Before they are ten, children who have been in the habit of using books will write good, vigorous English with ease and freedom; that is, if they have not been hampered by instructions. It is well for them not even to learn rules for the placing of full stops and capitals until they notice how these things occur in their books. Our business is to provide children with material in their lessons, and leave the handling of such material to themselves. If we would believe it, composition is as natural as jumping and running to children who have been allowed due use of books. They should narrate in the first place, and they will compose, later readily enough; but they should not be taught ‘composition.’

Did you get that last sentence?  Not teach composition?  Let’s look again at her thoughts restated in modern English:

1. Under the age of nine, composition should not be taught as a subject. Rather, children should narrate, either orally or in combination with writing, about an experience they have had or on a subject with which they are familiar.
2. Children who have been exposed to the best in literature will automatically be able to express themselves in writing.
3. Punctuation (grammar) should be taught using the books they are reading for examples rather than in isolation.
4. She intimated here and states more clearly elsewhere: Children are to be exposed to superior literature and be allowed to interact with it themselves without us voluminously interpreting and explaining it to them.

One of the keys to understanding this teaching is that she is discussing younger elementary children, not middle school and high school children.  In our curriculum we do not recommend formal composition instruction prior to the age of nine (third grade) – and by that I mean teaching children to write reports, summaries of literature or anything requiring more advanced reasoning skills or even requiring more than a very short paragraph at a time.

Some of the popular Charlotte Mason ‘interpreters’ believe Charlotte did not have children do any writing during those earlier years, but she did specifically state in the quote above (from Volume I, The Original Home Schooling Series) that narrations could be all or part in writing, even for children below nine.

Although we don’t believe children are to jump right into school with copious quantities of writing, as more classically oriented curricula often suggest, we do feel there are many skills involved in learning to write and they are more easily learned if they are taught using real books and reinforced through copy work in the earlier years. Some CM purists might disagree.  We do keep those lessons very brief and always in conjunction with books written at the child’s comprehension level, but we utilize copy work from first grade on and we include basic punctuation and grammar, as you can see in this first grade sample week  from our first grade plans here.

Although in #2 above Ms. Mason assumes that children exposed to high quality literature will be able to write automatically, I can’t say that has been my experience for all children.  Some have definitely been more natural writers than others, in my opinion, and some have benefited by more detailed writing instruction.  But not in the first few grades — save it for later elementary.

One can’t underestimate what young children learn and absorb through hearing and reading top quality literature, however, we shortchange them if we don’t answer their questions and clarify areas that they obviously do not understand, paying close attention to their attention span and interest level.  In Endangered Minds: Why Children Don’t Think And What We Can Do About It, Dr. Healy describes just how important discussion between parents and children is to developing children’s verbal and language skills, and the more conversation, the better.  Mind, I am not talking about  daily lecturing your primary-aged learners! If your find your children’s eyes glazing over and they suddenly disappear at read-aloud time, consider that you may have crossed the line.  This time with literature is to be enjoyed, not analyzed to death.

I would love to hear how some of you long-time Charlotte Mason fans have dealt with composition in your home schools.  Have you taught writing using traditional CM methods or used another curriculum?  At what age did you begin composition instruction?  I appreciate your input – it helps all of us!

Blessings,

An extensive knowledge of the exact meanings of English words accompanies outstanding success in this country more often than any other single characteristic we have been able to isolate and measure. —Research Scientist Johnson O’Connor

An extensive vocabulary is a valuable tool that will help your children in every arena of their lives: academically, vocationally and socially.  An excellent vocabulary will improve one’s ability to comprehend other’s ideas,  understand the ‘grammar’ of a field of study, and to better articulate one’s own thoughts, opinions and beliefs. In our family, the development of an excellent vocabulary is one of the benefits of a Charlotte Mason education that we have observed firsthand.

How is Vocabulary Developed?

Vocabulary is developed by immersing children in high quality literature – in other words -  living books.  Generally, it is not by vocabulary programs and workbooks. Although those have their place, nothing exposes children to a broad, varied vocabulary like reading exceptional books. Many exceptional books.

Even before children painstakingly learn to blend vowels and consonants, their minds should be stimulated by hearing top notch literature.  In fact, even Ms. Mason was amazed that young children were able not just to grasp, but truly enjoy books that were several ‘levels’ beyond their own.  Exposed frequently at an early age to living books resulted in children “acquiring a copious vocabulary,” according to Ms. Mason.

Do I Have to Stop and Look up Every Word I Don’t Know?

It seems logical to have children look up the words they don’t know, doesn’t it?  Surprisingly, Ms. Mason did not agree.  She felt as though it was demeaning to children even to offer explanations for words unless they asked.  She quite definitively proclaimed that explaining the words destroyed children’s interest in the story and ‘just flat annoyed’ them!  So how did she think they would learn words they didn’t know?  Charlotte felt that most of the time they had some idea of what a word meant by the context in which it was found.  She felt if children read broadly enough, they would encounter words in different contexts and eventually glean quite a competent understanding of them.

So How Do We Help Our Kids Add to Their Vocabulary?

There are a few things we can do to help our children learn new words:

1. Teach children to try and figure out new words by their context. Walk them through the process as you are reading to them if they ask about a word: What is the author talking about here? What do you think it could mean?  What other word might fit in that spot (based on the rest of the sentence)?
2. Model enthusiasm for learning new words by circling words during your own reading that you are going to look up later.  Add them to your ongoing word list.  Talk about them.  Practice using them in sentences.
3. Pick out vocabulary words from their history and science reading and have them learn the words at another time – not during their reading time.  Epi Kardia’s Daily Lesson Plans use this method.
4. For children third grade an up, have them start two lists in their language arts notebooks: one for Tired Words and one for WOW! Words. (For those of you who use Epi Kardia curriculum, those charts are in the Tools section of your Manuals.)

For example, Tired Words are words that are overused, nonexpressive and imprecise.  Words like good, bad, pretty, mad, great and nice are bland, boring and don’t convey much to your reader.  Help your children ‘collect’ more interesting words that will add zing to their writing.  On their WOW! Words chart they could add: virtuous, dreadful, gorgeous, furious, tremendous and mannerly. (Be sure to read their work aloud with the Tired words and then with the WOW! words — they will be amazed at the difference!) During their composition lessons, teach them to replace their Tired words with WOW! words. When you find an overused or nondescript word in their writing, it should be added to their Tired Words list, to be forever banned from appearing in their writing.  Have your children add to both lists regularly, and as you teach them to self-edit, have them eventually identify and replace any Tired words they find on their own without any help from you.

But most importantly, read, read, read!  If you do, you will be surprised at the words your children will learn and begin using in their conversation!  Have you not found that to be true in your own homeschool?

Happy reading!

 

 

 

 

 

 

 

 

 

Hello, Everyone!

Other than our recent workshop, you might have noticed me keeping a lower profile around here lately. After much prayer and consideration, I have felt God leading me to take a break from the day to day operation of Epi Kardia.  I have had some personal projects that have been on the back burner too long, and I would like to spend additional time with my new husband and my last child at home.

I am not going anywhere and I am still planning on teaching classes. Epi Kardia will not operate any differently than it has been operating. Hopefully, I will even pop in and blog occasionally!

In Christ,

Last time we discussed Nature study as perhaps the most obvious of Charlotte Mason’s suggested activities that utilizes many senses, hence appealing more to non-traditional learners. Of course, we are talking about being outside and actually observing nature first hand, rather than studying nature from books alone.  If you missed it, read that post here. Thankfully, Charlotte Mason’s educational methods dovetail with non-traditional learning in many other ways as well!

Train up a Child in the Way HE Should Go…

Many of the public school classrooms that most of us languished in only allowed for the traditional (auditory-sequential) learner to use her gifts. Hear a lecture, read a book, and then write a report on it.  Ho hum.

But if you have homeschooled for a while, you have probably noticed that all of your students do not learn in the same ways and they are not motivated by the same type of assignments. (Is that an understatement, or what?)  As we have mentioned before, as they become older, children begin to exhibit preferences for the way they like to learn.  Some like learning things out loud, perhaps to music, or maybe they like to discuss ideas orally.  There are others who need to read to learn, and are totally distracted by little brother’s humming and toe-tapping. Some think and remember best if information is presented in picture, chart or graph formats. Still others need to move around to maximize their learning.

Pay attention to these details and study your children in order to give them the opportunity to let them do their best work. Give them that opportunity by letting them use as many of their senses as possible, especially until you have identified which one they use the most.  Then maximize it by incorporating it into their assignments regularly.  They will be more engaged and cooperative when assigned work they enjoy and feel good about their ability to do!

Students Benefit by Hands on Learning

Activities that are hands on in nature generally benefit ALL types of learners, but especially those who are more ‘right-brained,’ which includes many non-traditional learners. So by giving your students the opportunity to do more hands on activities, you are maximizing all of your kids’ abilities to learn, but you are especially giving your non-traditional learners the chance to shine.  So continue to use those ‘living books’ in your schooling and have your students orally narrate.  But in addition, make sure students are not just reading and hearing; they also need to be seeing and doing.

For example:

• Have your students work on a project such as hooking a rug or dipping candles while you are reading to them about colonial times.

• Incorporate field trips into your school as often as possible – don’t just read about a farm, go visit one!  Let your students produce a photo essay of the trip instead of a written report.

• Let your children draw pictures while you are reading to them. Let your student narrate afterward, using his pictures.

• Create mini-books/lapbooks, Power-point presentations, or create video “TV commercials”  instead of writing traditional reports.

• Create African costumes and cook authentic African food while reading about Africa.

• Research and plan to have an evening of Olympic Games while reading about Ancient Greece.

Other Narration Ideas

As you know, one of those foundational beliefs of Ms. Mason’s was that information was not truly absorbed until it was reproduced in some way, usually through verbal narration.  But there are many ways to reproduce information.  I would not slight that method, however; especially if your children are younger and just starting out to ‘tell back’ that which they have read or have had read to them.  But as children become older, it is especially helpful for the non-traditional learner to be able to narrate in her own way, using her own natural bents.

• Let your very visual child actually take ‘notes’ in pictures while you are reading or teaching him.

• Allow more ‘hands on’ narration, in addition to the above suggestion, such as producing a dramatization, painting a picture, or creating a poem to ‘narrate’ what has been read.

Picture and Music Study

By their very nature, Picture and Music study appeal to the senses and should not be neglected. Some children are reached by art and/or music in a way that can’t be touched by reading.  Read about picture study here.  Books about period music and artists, as well as CD suggestions are included in every unit of our complete programs.

I’m so thankful that our kids have the opportunity to be taught the way that best suits them, rather than the way that best suits the school system!  If you have non-traditional learners at home, I would love to hear how YOU have incorporated Charlotte Mason’s methodology into your homeschool!   Please consider leaving a comment below.

Gratefully His,

On Monday night Beth had the opportunity of presenting a workshop on mini-books and lapbooks, types of graphic organizers, to our homeschooling support group.  We were pleased to have such a good turnout and spent a delightful evening with old and new friends.  It was especially enjoyable to see some ‘textbook’ moms learn that hands on projects such as mini-books and lapbooks were not only fun, but also educational!

What is a Graphic Organizer?

For the benefit of those of you who were not present, a graphic organizer is any tool that allows your student to organize his thoughts and record what he’s learned in a visual way.  Examples of common graphic organizers include:

• Charts and Graphs
• Venn Diagrams
• Scrapbooks, Lapbooks and Mini-books
• Library Pockets and Envelopes

We made two different types of mini-books at our workshop – an accordion book and a layered-look book, and we showed  examples of mini-books and lapbooks that had been made by our children as well as some we had made in teaching a Reluctant Writers class a few years ago.

For example, here is a very simple mini-book that can be made by an elementary aged student:

Directions:

1.  Using one single piece of 8 1/2 x 11 inch colored paper, hold the base piece of paper vertically, then fold it in half lengthwise.

2. Out of contrasting paper colors, construct a simple flower clearly showing the petals, leaves, stem and roots, as shown in the picture on the far left.

3. After gluing the flower to the top half of the folded paper, cut through the flower and the top half of the paper, to the fold.  Make three cuts so that the flower, leaves, stem and roots each have their own section.

4. On the inside of the flaps, label each section, as shown.

5.  Write a short description of each flower ‘part’ opposite each label.

What is a Lapbook?

A lapbook is a innovative, visual, creative, kinesthetic, way to organize information.  Examples abound of lapbooks online (and see our resource list at the bottom of this post), but on the right is an example of one my son made a while back about space.  The base is simply made from two file folders glued together.

Directions for making the lapbook:

1.  Take two file folders, laying vertically open on the table in front of you.

2.  One at a time, take the outside edges of each file folder and fold them in towards the center fold.  Crease well, then let them open.

3. Glue together the sides of each folder that are next to each other.  Voila!  That is all there is to it – you can make lapbooks bigger by gluing on more folders or attaching additional flaps inside.

At the left is a photo of the inside of the lapbook.  There is space for vocabulary, illustrations, charts, book reports, clip art and anything else your study included.  The multicolored mini-book is a favorite of ours, the layered-look book.  It allows students to do a fair amount of writing, depending upon the number of pages it contains, but is much less intimidating than that dreaded big, blank sheet of paper because it is divided into many different sections.

Lapbooks are not only fun to make but:

• they are kinesthetic and visual, maximizing other learning modes
• they beg to be shown to others, giving students an automatic and painless review of the material contained in their lapbook, every time they show it to someone else
• they can be used for studying almost any subject and easily may integrate several subjects, maximizing learning
• they are great at enticing reluctant writers because they are divided into many smaller sections
• they can also be used as an assessment tool, especially when assigned with an accompanying rubric outlining what is to be included in the lapbook
• they can be used for all ages, kindergarten through high school

As with all graphic organizers, anytime your elementary student is organizing information, he is building a foundation for learning more advanced writing skills as well as for learning how to take notes.

At every grade level and in every type of curriculum we have,  Epi Kardia curricula uses mini-books, lapbooks and graphic organizers!

Online Resources for Mini- and Lapbooks

Here is a resource list for mini- and lapbook resources including instructions, ideas and even free lapbooks:

• This site has every type of mini book imaginable as well as  free templates!

• This site has guided reading materials and  MANY mini book ideas and resources for elementary ages.

• This is one of our favorite original sites with great instruction and ideas. Check out the blog for this site as well.

• This has an array of lapbook information for all ages. In fact, at The Homeschol Lounge (highly recommended!) you can join a group of homeschooling moms who share lapbook ideas and resources.

And for those of you who want to incorporate notebooking and scrapbooking into your homeschooling (or you like to scrapbook yourself):

• These are resources and other links for educational scrapbooking.

• This is a free software download (full version) to begin digital scrapbooking immediately.

If you read our last post, Six Steps to Start Second Semester, mini- and lapbooks might be just the thing to add some pizazz to your homeschooling this semester.  Even if you use a traditional curriculum, please give your students a chance to do some thing hands on, colorful and creative!  Enjoy!

In His Service,

P.S. If you have a reluctant writer or two at your house, in addition to trying mini-books, you might find our reluctant writer series helpful.  See Reluctant Writers – Part 1 The Early Years, Reluctant Writers – Part 2 The Middle Years and Reluctant Writers – Part 3 High School and Beyond.